December 2010
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New York Times: Tracking Racial Identity, But Not... →
Holland Cotter reviews the current retrospective of Mark Bradford’s work at Institute of Contemporary Art in Boston. In his review, Cotter briefly touches on some key issues for many black artists and their works’ relationship to racial identity:
Of course “pure” abstraction carries narratives of its own, about making choices and why, as Mr. Bradford is fully aware. If one had to...
Nobody tells this to people who are beginners, I wish someone told me. All of us...
– Ira Glass
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