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The Yayoi Kusama Experience at David Zwirner in Emoji
Yayoi Kusama’s I Who Have Arrived In Heaven continues at David Zwirner Gallery (525 West 19th…
(via If Yayoi Kusama Designed a Video Game)
Hohokum, a video game where you play a long, thin worm that changes color based on direction, isn’t just an art-ier version of Snakes. Released last month for PS4 and PS Vita, Hohokum is considered an “art video game” by developer HoneySlug, who created it in collaboration with British artist and illustrator Richard Hogg.
PARIS — Young New York-based Canadian artist David Altmejd’s remarkably ambitious retrospective exhibition of sculpture at the Musée d’Art moderne de la Ville de Paris played pithily with many current intellectual strands — anthropomorphism, dematerialization, science fiction, internet culture, artificial life, image profusion, and micro-organisms. But what struck me as most exact about its weird, vitriolic propositions was its deep reflection (one might even say brooding) on proliferation and loss.
The Year of Rain and Cronuts
Look! It’s the most New York summer 2013 photo ever. (image by Hrag Vartanian for Hyperallergic)
Th…
Lines for Kusama’s Infinity Room Devolve Into Mobs Outside David Zwirner
Lines outside the Kusama exhibition at David Zwirner (photo by Dylan Schenker, via Twitter)
Chaos…
The Girl Gore Aesthetics of White Lace, Ghosted Bodies, and Animal Menageries at Expo Chicago
A view of Glenn Kaino’s ”Bridge,” which was featured in the IN/SITU section of the fair. (Photo by…
MILAN — The most startling pairing in The Great Mother, an exhibition that tracks the iconography of motherhood in art and popular culture from 1900 to 2015, is a sculptural standoff between Sarah Lucas and Thomas Schütte. Occupying more or less the exhibition’s midpoint — room 16 of the 29 devoted to this vast and rich show at the Palazzo Reale, the former seat of Milan’s municipal government — Schütte’s über-masculine bronze statue “Vater Staat” (“Father State”) (2010) looms large near the center of the room, while Lucas’s cocoon-like sculpture of fluff-filled tights, “Mumum” (2012), hangs in a corner.
This week’s top stories … i.e. What.You.Need.To.Know…
The Long, Strange Life of Yayoi Kusama
On the surface of this well-fueled publicity blitz, Yayoi Kusama is a dotty (pun intended) old grandma all about fun, polka dots and puffy balloons, including her eye-popping window display for the Louis Vuitton store on Fifth Avenue and 57th Street. On the inside, which all the W magazine air kisses in the world can’t conceal, Kusama is about decades of raging struggles with precarious mental balance, gender, ethnicity, money, power, class, self-mythology, annihilation, life and death, peppered with a bit of wonder.
Chuck Close Responds to Scott Blake’s FreeChuckCloseArt.com
After a week of “My Chuck Close Problem” ricocheting around the internetz, we discovered what Close thought of Blake’s art project … and then Blake responded.
Painter Denyse Thomasos, 47, Dies Unexpectedly
Artist Denyse Thomasos, whose semi-abstract paintings evoke an architecture of floating cities, died suddenly on Thursday, July 19. The cause was an allergic reaction during a diagnostic medical procedure.
Social Practice and Global Media
The work of Social Practice is on the rise, but compared to the traditional art world news of auction prices and gallery openings, it doesn’t seem to be receiving as much online attention. — And a response … Why Going Viral Isn’t Always a Good Thing










